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Joy as resistance: Iranians push boundaries on Mahsa anniversary

Negar Mojtahedi
Negar Mojtahedi

Iran International

Sep 15, 2025, 22:10 GMT+1Updated: 00:40 GMT+0
Iranian band Bomrani performing in Shiraz
Iranian band Bomrani performing in Shiraz

A concert by famed Iranian artist Sirvan Khosravi held on the grounds of what were once the Shah’s palace in Tehran has become an emblem of the 2022 Woman, Life, Freedom movement's legacy.

Videos circulating on social media show women in the audience not only discarding the compulsory hijab but dancing in unapologetically Western-style attire without a trace of enforced covering.

The scene plays out in a space once tied to Iran’s monarchy, now under the increasingly permissive gaze of the Islamic Republic.

Concertgoers are seen singing and dancing freely, acts that remain technically criminal under the Islamic Republic’s penal code and used to be harshly punished until a few years ago.

The scenes are a sharp contrast to 2023, when women were arrested at another Sirvan concert for what authorities deemed “bad hijabs.”

Mahsa Amini died in Iranian morality police custody, sparking the Woman, Life, Freedom protest movement which was crushed with deadly force but belatedly appears to have blunted Tehran's more repressive tendencies.

A new hijab and chastity law was halted by Iran's Supreme National Security Council (SNSC) in May amid concerns it could deepen tensions as geopolitical and economic pressure mount on Iranians.

Iranian freelance music journalist Bahman Babazadeh described this week’s concert as evidence of a deeper shift.

Writing on his social media accounts, he said: “The system and the Islamic Republic have learned their lesson and moved beyond many things. They are past the stupidity of canceling concerts."

"But the system has learned, and for the sake of its survival, it has moved on," wrote Babazadeh.

He also pointed to a concert by the band Bomrani in Shiraz, calling it “the beginning of a major movement for structural change” and reminding his audience that “happiness is the right of the people.”

Only days later, authorities announced Bomrani had been banned from performing in Shiraz and the wider province of Fars, accusing the group of “norm-breaking behavior” during the same show, according to Mehr news agency.

The incident underscored how precarious these cultural openings remain, subject to sudden reversals.

Not everyone sees these changes as real progress. Mercedeh Shahinkar, a Women, Life, Freedom protest survivor who was shot in the eye by security forces in 2022, believes such relaxations amount to “controlled freedoms,” designed to defuse public anger and prevent another nationwide uprising.

While the protests have sparked undeniable social shifts, she argues, the state permits them only as a calculated strategy of survival.

Still, on the eve of the anniversary of Mahsa Jina Amini’s death, the images of young Iranians attending concerts, uncovered, singing, and smiling together carry their own quiet power. For many, they stand as a reminder that her legacy lives on.

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