Students at a Tehran school hold candles and raise victory signs beside a classroom board bearing the message “We carry on,” in apparent solidarity with victims of January protests.
Student walkouts at schools across Iran this week underscored the continuing political presence of a younger generation that has remained deeply engaged despite months of arrests and repression.
The action, observed in numerous high schools and junior-high schools, followed a call earlier in the week by the country’s teachers’ union—one of the few remaining independent professional bodies whose members and leaders repeatedly face summons, detention and imprisonment.
The union had urged students and educators to honor those killed during the January protests, many of whom were themselves teenagers or in their early twenties.
Human rights organizations and media reports indicate that young people made up a significant share of those killed, wounded or detained during the crackdown, reinforcing the central role of Generation Z in Iran’s protest movement.
Videos circulating online on Wednesday appeared to show students—many of them girls—refusing to attend classes and instead gathering in schoolyards to sing patriotic songs in apparent solidarity with the victims.
Justice Minister Amir Hossein Rahimi acknowledged this week that a number of minors remain in detention in connection with the protests, adding that authorities were working to secure the release of some underage detainees.
At the center of unrest
Iran’s Generation Z has played a visible role in successive waves of unrest, including the nationwide protests of recent years.
Lists compiled by human rights organizations indicate that a large share of those killed or arrested were under 30, including university students and minors.
The involvement of younger Iranians reflects both demographic realities and deeper social changes.
Iran’s Generation Z has grown up during a period defined by economic instability, international isolation and increasing social restrictions. These conditions have shaped their expectations and political outlook in ways that differ from earlier generations.
A distinct identity
In a recent commentary published in the reformist newspaper Etemad, political analyst Abbas Abdi argued that Iran’s younger generation faces “multiple layers of pressure,” reflecting economic hardship, social constraints and limited political representation.
He identified several sources of tension, including declining economic opportunities, widening gaps between official norms and social realities, and what he described as the political marginalization of younger citizens.
These pressures, he wrote, have contributed to a growing sense of disconnection between younger Iranians and the country’s political establishment.
Abdi also emphasized that Generation Z is the first generation in Iran to grow up fully connected to digital networks, with access to global information and alternative sources of identity formation.
This shift has altered traditional patterns of socialization and authority. Younger Iranians are often less receptive to hierarchical forms of political messaging and more inclined toward decentralized and informal forms of expression and mobilization.
The outlook
While the state retains significant coercive capacity, the persistence of youth participation in protests suggests that underlying social and generational tensions remain unresolved.
Abdi warned that failure to address these generational pressures could deepen long-term instability, arguing that sustainable political order ultimately depends on the ability of governing institutions to adapt to social change.
The student walkouts this week, though limited in scope, reflected the enduring political consciousness of a cohort that has come of age during one of the most turbulent periods in Iran’s recent history—and whose role is likely to remain central in shaping the country’s political trajectory.
An illustration showing an ancient Iranian soldier and a Revolutionary Guard member holding a weapon together, displayed during a November 7 ceremony in Tehran where a statue of pre-Islamic Persian King Shapur I was unveiled.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
The statue unveiled in Tehran's Revolution Square
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
Image circulating by hardliners on social media
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.