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INSIGHT

Iran after the crackdown: serenity on screens, grief on the streets

Maryam Sinaiee
Maryam Sinaiee

Iran International

Jan 21, 2026, 01:58 GMT+0
A man in military fatigues is shown walking through a fresh snowfall in Iran in this image circulated by state media outlet ISNA
A man in military fatigues is shown walking through a fresh snowfall in Iran in this image circulated by state media outlet ISNA

After the January 8-9 mass killing of protestors in Iran, state media broadcasts fresh snow falls and other serene scenes bearing little resemblance to the agony of many Iranians reeling from the historic violence.

Official outlets show bundled up children frolicking and families shopping, suggesting normal life restored. Eyewitness accounts from inside Iran and testimony from those who have recently left describe instead a country gripped by grief, fear and economic paralysis.

Prominent journalist Elaheh Mohammadi—whose report about Mahsa Amini, a young woman who died in morality police custody, helped trigger the widespread protests of 2022—described the mood.

“For the past day or two, our VPNs have been working only sporadically—maybe for half an hour to an hour each day—allowing us brief access to the internet. We use that time to let people know we’re still alive,” she said on X.

“The city smells of death. In all my life, I have never seen snow fall in Tehran without anyone even smiling,” she added. “Everyone is in shock; the entire country is in mourning.”

For nearly two weeks, Iran’s internet has been almost entirely shut down, with little sign it will be soon restored. Aside from a handful of government-affiliated outlets and state television, access to news has been virtually nonexistent.

Fleeing the tragedy

Those who have managed to leave Iran by land or air have become key sources of information. Yet many say that once across the border, they too fall into an information vacuum, cut off from reliable updates from home.

Mortaza, who left Iran for a neighboring country several days after the killings, says satellite television has become the primary source of news for many inside the country. Even those broadcasts, he adds, are intermittently disrupted by jamming.

Without exception, those interviewed say the scale of the killings far exceeded what many had anticipated. Violence was so widespread, they say, that almost everyone knows at least one of the dead personally.

Across neighborhoods, families and friends have erected traditional mourning displays—hejleh—decorated with flowers, candles, mirrors, lights and framed photographs of young victims.

The structures resemble wedding canopies, symbolizing lives cut short before marriage.

Banners announcing the victims’ “passing,” often accompanied by poetry or phrases such as “martyr of the homeland,” are visible throughout cities.

What tragedy?

News programs on the state broadcaster repeatedly air footage of vehicles and buildings allegedly set ablaze by protesters—now described not merely as “rioters,” but as “US- and Israel-backed terrorists.”

These segments are interspersed with televised interrogations and forced confessions of individuals who have not appeared in court, alongside images of daily life and repeated claims that foreign-backed "terrorist" plots have been thwarted.

In recent days, the judiciary has issued repeated warnings promising harsh punishment and “no leniency” for those accused of participating in the unrest.

Continued repression

The crackdown has extended well beyond those who took part in protests.

Mohammad Saedi-Nia, a prominent investor and owner of the Saeedi-Nia café chain, was arrested after closing his cafés during calls to protest by exiled Prince Reza Pahlavi. His businesses—along with those of former national footballer Voria Ghafouri—were shut down for supporting protesters.

Saeedi-Nia’s assets, estimated at around $20 million, have reportedly been confiscated.

Dozens of athletes, artists and intellectuals who expressed support for the demonstrations have also had cases opened against them; some have been detained.

The judiciary says assets have been seized to ensure that, if convictions follow, alleged damage to public or private property can be recovered.

Mostafa, who communicated with Iran International via Starlink from his workplace, says traffic in Tehran is unusually light. Only a small number of street-facing shops have opened, he said, and the gold market remains shut.

Economic standstill

Most universities are closed, with final exams moved online. Many businesses are effectively dormant: transactions have stalled because prices depend on the dollar, and the currency market has frozen without a clear exchange rate.

Eyewitnesses also report growing shortages of basic goods. Cooking oil is scarce and selling at several times its previous price when available.

Prices of staples such as rice, eggs, chicken and meat have surged, while consumers limit purchases to essentials and shopkeepers hesitate to sell non-perishable goods.

State media deny that conditions resemble martial law, but eyewitnesses insist otherwise.

Many people have deleted photos and videos of protests from their phones, fearing random stops and searches by security forces.

Some witnesses say young people have been forced to expose their bodies in public to show they bear no marks from pellet guns or rubber bullets—signs authorities use to identify those who took part in demonstrations.

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Tehran’s 'Kneel Before Iran' statue rekindles debate over nationalist turn

Nov 9, 2025, 22:00 GMT+0
•
Maryam Sinaiee
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An illustration showing an ancient Iranian soldier and a Revolutionary Guard member holding a weapon together, displayed during a November 7 ceremony in Tehran where a statue of pre-Islamic Persian King Shapur I was unveiled.

Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.

For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.

From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.

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The statue unveiled in Tehran's Revolution Square

'Kneel before Iran' campaign

Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).

The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.

Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”

Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.

The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”

The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”

Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.

The turn to the pre-Islamic past

The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”

In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”

Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”

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Image circulating by hardliners on social media

'Hypocrisy'

Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”

Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”

Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”

On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”

He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”

The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.

President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”

Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.